Disco

Disco is a dance that was created from the music and subculture of Disco in the US in the late 60s and early 70s.

This movement was made famous by Donna Summer, the Bee Gees, Gloria Gaynor and a host of others.

Disco dance moves include the Bump, Penguin, the Boogaloo and the Robot.

Performed on the night by Jacqueline and Jordi to “Voulez Vous” by ABBA

The Charleston

Charleston is a harbour city in South Carolina. South Carolina is known as the Palmetto State due the fact its main forth was built on spongey palmetto wood which helped repel a British attack as the cannonballs simply bounced off the fortress. Perhaps it is no surprise the Charleston dance is characterised by its bouncy rhythmic movements.

The Charleston made its debut to the wider world in 1923 in the Broadway show Runnin’ Wild. It is comprised of the African dance Juba and consists of fast footwork with twisting, bouncing heelwork and swinging arms.

 

Performed on the night by Tara and James to “Bang” by Will.I.Am;

https://www.youtube.com/watch?v=Tqjl4nRSorM

 

and Helena and Michael to “Rock it For Me” by Caravan Palace;

https://www.youtube.com/watch?v=fBGSJ3sbivI

 

The Cha Cha

Unlike many of these dances, which formed over time, the Cha-cha’s birth can be located to a specific place and time. Cha-cha music was created by the Cuban composer Enrique Jorrin in the 1950s.

This music was created to fit in rhythmically the dances being performed in the Havana dance halls. This dance is performed in two holds; closed and open.

Performed on the night by Sarah and David to “Lullaby” by Paloma Faith and Sigala

Jive

The Jive is a dance formed from African-American dances in the 1930s. It’s a more uninhabited version of the Jitterbug. Cab Calloway was an early proponent and it brought it to the attention of the wider public.

It is a very happy and ‘boppy’ dance with the lifting and bending of knees and rocking of the hips commonplace. This dance is usually performed to Swing or Rock music.

Performed on the night by Tori and Gerard to “Wake Me Up Before You Go-go” by Wham

Our Dancers’ Thoughts

 

  1. What three words best describe your dance?
  2. How do you feel now compared to the beginning of rehearsals? (more confident, more nervous?)
  3. What has been your highlight so far?
  4. Who are you most looking forward to seeing in the audience on the night?

 

Jacqui

  1. Sparkly/fun/discooooooo.
  2. More confident
  3. Losing a lot of weight
  4. My husband

 

Declan

  1. Elegant/smouldering and sexy.
  2. I have never been so nervous about anything I have done in my life.
  3. I love the challenge of learning something new at 63 years of age and love the feel-good factor in helping to contribute to a worthy cause like Ozanam House.
  4. All my family and friends especially my 2 kids Conor and Lauren and I hope I make them proud of their “Old Man” on the night or else give them a good laugh.

 

Rita

1. I loved it!

2. I feel more confident.

3. Loved every minute of it!

4. To see my biggest supporter, Husband Matt.

 

 

Sarah

 

  1. Fun. ChaCha!
  2. We feel confident enough that we know the routine now but let’s just hope it stays in our heads on the night. We’re definitely more nervous now then we were at the beginning, mainly at the thoughts of performing in front of hundreds of people!
  3. Learning something completely new has been a highlight for both of us and getting to go through this experience together is a bonus, looking back at each week’s progress is a real sense of accomplishment. Another highlight was the table quiz fundraiser we ran in February, the turnout was amazing, and the support shown has been overwhelming and it was great fun!
  4. Definitely our family and friends – knowing that they are all there to support us and cheer us on makes us feel a lot more excited and hopefully ease the nerves.

 

Argentine Tango

The Argentine Tango was born in the wealthy suburbs of Buenos Aires in the late 19th Century. Typically it has a 2/4 or 4/4 timing.

This dance is a slow, almost walking pace, set-up that is based on passion and feeling the music. Feeling the emotion and dancing at the relevant speed is key to the Tango.

Performed on the night by Tereza and Graham to “Buenos Aires Underground” by Jose Rendon Santana

Paso Doble

The Paso Doble was a military march that emulates the movements of a matador for the man and the cape for the woman. It is believed to have come from Southern France and many of the terms relating to the dance are French.

Ballroom Paso Doble dancing is heavily choreographed and is usually performed in competitions and rarely danced socially.

Performed on the night by Rita and Krishna to “Fuegos” by Dance Life

American Smooth Viennese Waltz

American Smooth along with American rhythm are the two forms of ballroom dancing that make-up the American style. It is made up of four dances; the waltz, Tango, Foxtrot and Viennese Waltz. He dance is influenced by Fred Astaire and Arthur Murray amongst others.

The Viennese Waltz is the original form of the Waltz and is the oldest ballroom dance created in the 1780s. As the name suggests, it comes from Austria and Germany.

The Viennese Waltz created a stir when it was first viewed by the public as it was the time men and women danced in hold and the ladies’ ankles were clearly visible. This version is usually more up-tempo than the regular Waltz.

Performed on the Night by Orla and Declan to “If I Ain’t Got You” by Alicia Keys

Samba

Samba originated in 19th Century Brazil and its rhythms and movement were heavily influenced by African dances. The early samba dances were performed with one person in a circle and consisted of shifts, rapid steps, sides and a still upper body with leg and arm movements.

The dance moved from the sugarcane plantations to the favelas and then to the streets and carnivals. This was very much a dance of the poor and was frowned upon by the rich.

Samba ballroom is a Latin dance and has moved somewhat away from the original Samba dance and has more in common with the music of the same name. It was transformed in France in the 1910s and was popularised by Carmen Miranda in That Night in Rio. It consists of a rhythmic bouncing action with bending the knees and exuberant hip action.

Performed on the Night by Áine and Peter to “The Shape of you” by Ed Sheerin (DJ Ice Version)